Painting built with the precision of a cut-out.
Jakub Hošek applies acrylic to canvas through hand-cut masking-tape stencils. His compositions layer strong colour, text fragments and elements reminiscent of comic strips.
In “Sad Redux O-Grapher”, post-punk and punk-rock sources enter the image. Narrative appears compressed into a single frame, between collage and a deliberately restless pop culture.
Sources: