A face takes other forms.
Bianca Mann uses a cast of her own face as a tool of inquiry. Multiplied and reduced in scale, the face loses its recognisable features and enters sculptural compositions open to different readings. Identity becomes unstable: a single source generates changing forms and associations.
Supra/Fața, curated by Dan Popescu at H’art Malmaison in 2026, continues this inquiry through repetition, symmetry and colour.
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